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Casemates BUNKERS Approximately 200 × 40 cm for each, cyanotype on fabric, 2018. It is a serie of photographies of bunkers taken in the department of the Vosges in France. It was during my walks in the forests that I created a visual dictionary of bunkers from WWI and WWII. I classify these ruins through the cyanotype process as did Anna Atkins' herbaria (19th century British botanist). To perform on fabric is interesting : photography can take different dimensions by folding. The kakemono testifies the still visible existence of these remains of war.
Copyright © 2021 · Tous droits réservés · Anthony Visconti
Casemates BUNKERS Approximately 200 × 40 cm for each, cyanotype on fabric, 2018. It is a serie of photographies of bunkers taken in the department of the Vosges in France. It was during my walks in the forests that I created a visual dictionary of bunkers from WWI and WWII. I classify these ruins through the cyanotype process as did Anna Atkins' herbaria (19th century British botanist). To perform on fabric is interesting : photography can take different dimensions by folding. The kakemono testifies the still visible existence of these remains of war.
Copyright © 2021 · Tous droits réservés · Anthony Visconti
EN
Casemates BUNKERS Approximately 200 × 40 cm for each, cyanotype on fabric, 2018. It is a serie of photographies of bunkers taken in the department of the Vosges in France. It was during my walks in the forests that I created a visual dictionary of bunkers from WWI and WWII. I classify these ruins through the cyanotype process as did Anna Atkins' herbaria (19th century British botanist). To perform on fabric is interesting : photography can take different dimensions by folding. The kakemono testifies the still visible existence of these remains of war.
Copyright © 2021 · Tous droits réservés · Anthony Visconti
EN
Casemates
BUNKERS Approximately 200 × 40 cm for each, cyanotype on fabric, 2018. It is a serie of photographies of bunkers taken in the department of the Vosges in France. It was during my walks in the forests that I created a visual dictionary of bunkers from WWI and WWII. I classify these ruins through the cyanotype process as did Anna Atkins' herbaria (19th century British botanist). To perform on fabric is interesting : photography can take different dimensions by folding. The kakemono testifies the still visible existence of these remains of war.
Copyright © 2021 · Tous droits réservés · Anthony Visconti